“Graham is an exceptional unit stills photographer with a rare instinct for story, atmosphere, and timing. Beyond the stunning imagery, he brings real creative collaboration to a production — instinctively understanding the brief, supporting the wider vision, and consistently delivering work that elevates both the set experience and the final campaign assets. Calm under pressure, endlessly resourceful, and an absolute asset to any production.”
Cheryl Eatock, Line Producer (Bloodshot, Invasion, They Will Kill You)
“Graham knows exactly how to operate on a busy set: he’s invisible when he needs to be and in the right place when it counts. He respects the cast’s space and respects the hierarchy of the floor at all times, and he delivers. As a First AD, that’s all I need from a unit stills photographer.”
Pete Whyte, 1st AD (Good Luck Have Fun Don’t Die / Desert Warrior)
“What sets Graham apart is that he understands light, composition, and the creative process. He’s not just documenting a set, he’s making photographs. He works quietly, he respects the camera department’s space, and the images he produces reflect the visual language of the film.”
James Whitaker, Cinematographer (Good Luck Have Fun Don’t Die)
“Graham is always a pleasure to work with and always the consummate professional. He shoots all the coverage that is needed for the studio to promote and publicise the film… Graham always deliverers the goods.”
Jesse Messa, Senior Publicist, Photo Editor, Warner Bros. (Tomb Raider)
“We were thrilled with Graham’s work on The Mauritanian. He was incredibly professional and organised, was a discreet, personable presence on set and managed to achieve a real range of beautiful shots even in repetitive cell locations. We would not hesitate to use Graham again next time we shoot in South Africa.”
Leah Clarke, Producer (Sunny March Films The Mauritanian)
“Over the last decade, I’ve worked with Graham on numerous productions across the major Studios, Networks and Streamers – delivering high-quality, Unit, Key-art and Publicity stills. It is always an effortless and stress-free experience; a request is never repeated, nothing falls between the cracks, all deadlines are met, and one feels safe. A rare word in this business, as is world-class’.
Working as a team, from the start Graham immediately understood the vital role that Creative Assets play in marketing campaigns.
Graham brings more than technical skill to a production, and his images don’t just ‘document’ a film. He has an innate talent to instinctively align with the filmmaker’s vision of the world he will create. He’s managed to mine the soul and mind – from thriller, drama, high-stakes action, adventure, fantasy, romance, sky-high stunts and pyrotechnics – as well as behind-the-scenes, timeless moments.
We often don’t even know Graham is on set…… he’s discreetly situated himself in an undetectable place. Yet, when we view his dailies, we see the integrity of the scenes shot that day; he’s also told the story, both internal and external. I don’t know a filmmaker who has ever negatively commented on his work.
The story he’s told through his lens, is as magical as audience wants to see on screen.”
Dezi Rorich, Unit Publicist on Motion Picture & Television Productions